Mayelana nendaba yothando edabukisayo yamaciko amabili adumile ase-Mexico uFrida Kahlo no-Diego Rivera, kubhalwe inqwaba yezincwadi kanye nedrama yaseHollywood eyawina i-Oscar edlalwa u-Salma Hayek. Kodwa kunesinye isifundo esibalulekile uFrida asifundisa ngombhalo omfushane owaziwa kancane awunikezela kumyeni wakhe. Sethula kuwe le ncwadi ethinta inhliziyo evela kowesifazane onothando, ephinde ifakazele ukuthi uthando aluguquki, lususa imaski.
Bashada lapho uKahlo eneminyaka engamashumi amabili nambili kanti uRivera wayeneminyaka engamashumi amane nambili, bahlala ndawonye kwaze kwaba sekufeni kukaFrida eminyakeni engamashumi amabili nanhlanu kamuva. Bobabili babenamanoveli amaningi: uRivera - enabesifazane, uFrida - enabesifazane namadoda, akhanya kakhulu - enomculi, umlingisi nomdansi uJosephine Baker noLev Trotsky. Ngesikhathi esifanayo, bobabili baphikelela ngokuthi uthando lwabo ngomunye nomunye luyinto eyinhloko ekuphileni kwabo.
Kodwa mhlawumbe akukho ndawo lapho ubuhlobo babo obungajwayelekile bucace kakhulu kunomfanekiso wamazwi owafakwa esanduleleni sencwadi kaRivera ethi My Art, My Life: An Autobiography.1. Ezigabeni ezimbalwa nje ezichaza umyeni wakhe, uFrida wakwazi ukuveza bonke ubukhulu bothando lwabo, olukwazi ukuguqula iqiniso.
“Ngiyakuxwayisa ukuthi kulo mfanekiso kaDiego kuzoba nemibala engingakayijwayele ngisho nami. Ngaphezu kwalokho, ngiyamthanda u-Diego kangangokuthi angikwazi ukumbona ngokuqondile noma impilo yakhe ... Angikwazi ukukhuluma ngoDiego njengomyeni wami, ngoba leli gama maqondana naye alinangqondo. Akakaze futhi akasoze abe umyeni wamuntu. Angikwazi ukukhuluma ngaye njengesithandwa sami, ngoba kimina ubuntu bakhe budlulela ngalé kwendawo yocansi. Futhi uma ngizama ukukhuluma ngaye kalula, ngokusuka enhliziyweni, yonke into izoba ngokuchaza imizwa yami siqu. Nokho, uma kubhekwa izithiyo ezilethwa umuzwa, ngizozama ukudweba isithombe sakhe ngendlela engingakwazi ngayo.
Emehlweni kaFrida othandweni, uRivera - indoda engakhangi ngezindinganiso ezijwayelekile - uguqulwa abe umuntu ocwengekile, omlingo, cishe onamandla angaphezu kwawemvelo. Ngenxa yalokho, asiboni kakhulu isithombe sikaRivera njengokubonakaliswa kwekhono elimangalisayo likaKahlo ngokwakhe ukuthanda nokubona ubuhle.
Ubukeka njengengane enkulu enobuso obunobungane kodwa obudangele.
“Izinwele ezincanyana nezincane zikhula ekhanda lakhe lase-Asia, okwenza kube sengathi zintanta emoyeni. Ubukeka njengengane enkulu enobuso obunobungane kodwa obudangele. Amehlo akhe avuleke kakhulu, amnyama futhi ahlakaniphile avuvukele kakhulu, futhi kubonakala sengathi awasekelwanga amajwabu amehlo avuvukele. Ziphumela ngaphandle kuhle kwamehlo esele, zihlukene ngendlela engavamile. Ngakho kubonakala sengathi umkhakha wakhe wokubona udlulela phambili kunabantu abaningi. Njengokungathi badalelwe umculi wezikhala ezingapheli nezixuku kuphela. Umphumela okhiqizwa yilawa mehlo angavamile, ahlukene kakhulu, uphakamisa ulwazi lwasempumalanga lwakudala olucashe ngemva kwawo.
Ezikhathini ezingavamile, ukumamatheka okuyindida kodwa okunesisa kudlala ezindebeni zakhe zikaBuddha. Enqunu, ngokushesha ufana nexoxo elincane emi ngemilenze yangemuva. Isikhumba sayo siluhlaza ngokumhlophe njengesilwane esihlala emanzini. Okuwukuphela kwezitho ezinsundu zomzimba wakhe wonke yizandla zakhe nobuso, ezishiswe lilanga. Amahlombe akhe afana nawengane, emincane futhi ayindilinga. Awanakho ukusikisela kwe-angularity, ukujikeleza kwawo okubushelelezi kuwenza acishe abe ngabesifazane. Amahlombe nezingalo zidlula kancane ezandleni ezincane, ezizwelayo ... Akwenzeki ukucabanga ukuthi lezi zandla zingakha inani elimangalisayo lemidwebo. Omunye umlingo wukuthi basakwazi ukusebenza ngokungakhathali.
Kulindeleke ukuthi ngikhale ngokuhlupheka engikubekezelele noDiego. Kodwa angicabangi ukuthi usebe lomfula luyahlupheka ngenxa yokuthi umfula ugeleza phakathi kwawo.
Isifuba sikaDiego - kufanele sisho ngakho ukuthi uma efika esiqhingini esibuswa yiSappho, lapho abantu besilisa abangabazi babulawa khona, u-Diego wayezophepha. Ukuthamba kwamabele akhe amahle bekuzomamukela ngemfudumalo, nakuba amandla akhe obudoda, engavamile futhi engavamile, nawo ayezomenza into ethandwayo emazweni lapho izindlovukazi zazo zikhalela uthando lwamadoda ngobugovu.
Isisu sakhe esikhulu, esibushelelezi, esiqinile futhi esiyindilinga, sisekelwa izitho ezimbili eziqinile, ezinamandla nezinhle, njengamakholomu asendulo. Zigcina ezinyaweni ezitshalwe nge-engeli e-obtuse futhi zibonakale ziqoshwe ukuze zibekwe zibanzi kangangokuthi umhlaba wonke ube ngaphansi kwazo.
Ekugcineni kwalesi siqephu, uKahlo ukhuluma ngokuthambekela okubi kodwa nokho okuvamile ukwahlulela uthando lwabanye ngaphandle - ukukhwabanisa okunobudlova kwe-nuance, isikali kanye nokucebile okumangalisayo kwemizwa ekhona phakathi kwabantu ababili futhi itholakala kuphela bodwa. “Mhlawumbe kulindeleke ukuthi ngizwe izikhalo mayelana nokuhlupheka engabhekana nakho eduze kukaDiego. Kodwa angicabangi ukuthi usebe lomfula luyahlupheka ngenxa yokuthi umfula ugeleza phakathi kwawo, noma ukuthi umhlaba uhlushwa imvula, noma ukuthi i-athomu iyahlupheka lapho iphelelwa amandla. Ngokubona kwami, isinxephezelo semvelo sinikezwa yonke into.”
1 D. Rivera, G. Mashi «Ubuciko Bami, Impilo Yami: I-Autobiography» (Dover Fine Art, Umlando Wezobuciko, 2003).